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Reviews 0 Looking for an automated spot for your lighting rig? A bright 75W LED with separate color and gobo wheels give you a multitude of colors and effects. The moving yoke and super-crisp optics add a professional touch to your light show. The mobile Chauvet Intimidator has a large selection of built-in programs that will save you valuable time during set up. You can even hook up and control multiple Intimidator spots for larger rigs. A 3-facet rotating prism splits the light beam for cool effects that cover a larger area. Its fast and precise movements are great for dance floors, events, and clubs. Add a professional look to your lighting rig with the Chauvet Intimidator. Easy to program and use With many built-in automated and sound-active programs, the Chauvet Intimidator Spot LED is easy to get up and running. Many convenient functions like movement macros, move-in-black, and sound-activated features have been programmed in to minimize your set up time.


I’ll echo Taso’s observation and I met him earlier in the afternoon. Not much stood out. Little in the way of new controllers except for things like the huge Rane platters and not much new in speakers. They let some of the vendors crank their gear and all you hear was rumble everywhere.

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Certified Quality Entertainment 3: What would be the best way to do that? But if you had 2 K subs do you need a splitter or something? Subs first then highs. Either one can be used. Just out of curiosity, what if you wanted to add additional subs or tops? Additional Tops I think woudl be easy as you can just daisy chain off the top, but what about the subs?

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QSCK “PoweredPASpeaker Breaking the boundaries that once defined portable sound, the K12 delivers massive power, impeccable audio and uncompromising workmanship that stands up to the rigors of professional use. Even more impressive is you get all this in a remarkably compact, lightweight and stylish enclosure for effortless handling and setup.

Outperforming many of its larger, in. Under the hood you’ll find an efficient Class-D power module that pumps out watts of clean, distortion-free sound with crisp highs and deep, tight lows. With 75 degrees of coverage, the K12’s in. Equally comfortable as a stage monitor, the K12 enclosure has an angled side for use as a low-profile, horizontal wedge and a flat side for proper side-fill use.

**UPDATE** For live events I use the hz crossover setting on the sub and tops. This is a very basic description of how crossovers work. Hopefully if you can visually see it you’ll get a better idea. The subwoofers are designed to produce lower bass notes, wh.

Power, Signal, Standby, Limit Connectors: On demand, 50 mm variable speed fan Amplifier protection: Thermal limiting, output overcurrent, overtemperature muting, GuardRail Transducer protection: Thermal limiting, excursion limiting AC power input: Black textured paint Grille: Black powder coated 16 gauge steel Dimensions HxWxD: The system engineers created the KW series to feature all the groundbreaking electronic attributes of the popular K Series while at the same time designing a product that is both smaller and significantly lighter than previous wood enclosure models.

The loudspeaker is also fitted with an 18″ cone transducer of the same high-quality design. DSP Extensive signal processing is employed throughout the QSC loudspeaker, providing levels of sonic clarity and total output that defy all expectations for a speaker in this category: The result is an active speaker that behaves equally well across the entire sound field DEEP and excursion limiting allow for extended low-frequency response by actively managing low-frequency transients without degradation of the underlying signal or adjacent frequencies GuardRail protection, first introduced on QSC’s GX Series amplifiers protects both the amplifier module and your performance from unnatural and destructive clipping Connectivity: Advanced construction processes, premium-grade Baltic birch cabinetry, ergonomic, cast aluminum handles, low-noise casters, and a highly protective steel grille provide for ease of transport and long-term durability.

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If you would like to collect this item and save yourself the freight costs please call 03 The DJM-TOUR1 delivers the warm high-resolution sound you’re used to, and adds pro-grade audio components to scale up for any size of event. With the same familiar layout and features as the DJM NXS2, and a large fold-out touch screen you get effortless control when it matters most.

Together with the word clock input it ensures high-grade digital audio signal transmission to front of house for precise synchronisation and the best possible sound quality. Choose between a horizontal multi-wave view or a vertical view that also includes an RMS meter so you can monitor and control the volume for each channel.

Main FeaturesThe next evolutionary step in wood enclosure loudspeakersSmaller and significantly lighter than most wood enclosure modelsFitted with the iden.

Longtime contributor Robin Tolleson, who interviewed the drummer for his first MD feature way back in , catches us up on his latest greatest hits. Hakim is sporting a new self-produced solo album, We Are One, which is heavy on both songwriting and instrumental prowess. And as we went to press he was preparing for a historic series of sold-out Kate Bush concerts at the Eventim Apollo in London.

So it all started with drum sounds and a certain groove that we had in mind, a certain idea of a unique organic perfection and a genuine personal musicality that drummers like Omar Hakim and JR Robinson [who also appears on the album] have in their performances. Watching him play in the studio was just so infectious. He brought so much to the tracks, with enormous generosity and simplicity.

Many MD readers, for instance, associate Hakim with his stint in the pioneering world-jazz group Weather Report in the s, anchoring its great final rhythm section.

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Do I need crossover control? What is a crossover? A crossover is a very handy device that helps you take charge of the frequencies that are going to your various speakers. For example, it lets you send low frequencies through to your subwoofer or bass shaker amp, and it lets you send high frequencies to your other speakers.

You probably don’t need a crossover if you have a subwoofer with built-in crossover control, like this one Crossovers can be purchased as separate devices, but be aware that often come built-in to your amps and receivers. For sound boffins after more in-depth information, try the sites below:

In this short video we explore the features of the SUPER-X PRO CX High-Precision Stereo 2-Way/3-Way/Mono 4-Way Crossover with Limiters, Adjustable Time Delays and CD Horn Correction. Subscribe to BEHRINGER – Like BEHRIN.

I provide a PA for my cover band. We do person rooms for the most part, but sometimes we’ll do outdoor shows as well where we bring a larger PA. It doesn’t make me an expert, but I can at least share my experiences and opinions. I would estimate that over the past years, I have done at least gigs where I provide sound. I will try to keep this brief, but with as much info as I can. Please ask questions if you want clarification. First topic – Subs: If you want to feel your kick drum, then go for an 18″ sub.

I personally bring a single Dual 18″ sub to most rooms, and put it in the center of the stage. It puts out a lower frequency response than a pair of equivalent Single 18″ subs

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If you’re in the market for a system of comparable quality, check out the Yamaha DXR and DXS range, the ELX speakers from ElectroVoice, JBL’s PRX series, the QSC K series RCF ART models, DB Technologies Flexsys and Opera systems, and the Milan range from Turbosound.

You’re going to have to adjust your EQ at least for each venue, often for each gig meaning different EQ’s for the same venue Depending on the situation. Not to mention, the main EQ is going to be somewhat of a moving target throughout the gig anyway. For example, if you EQ the mains in a seat room before sound check when the room is empty, you’re going to need to make some adjustments when you get bodies in there.

If it’s 25 degrees outside, bodies will likely mean coats. The smaller the venue, the more impact adding bodies makes. I think it’s set at hz. I have the Driverack crossover set to 80hz so that the built in crossover doesn’t come into effect. The system is stereo, but most of the time everything is panned to the center. That particular system is used with an analog mixer. I used the auto EQ and found the results to outstanding– Much better than I could have done by ear.

The area where I have noticed the most dramatic improvement with the auto EQ is in speech intelligibility. Since most of what I do is for churches, speech is the most important part.

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Soft padded cover for the QSC KLA subwoofer; constructed from heavy-duty Nylon/Cordura QSC KLA12BK. QSC WX2 POWERED LINE ARRAY SPEAKERS.

But what the manufacturer is not showing you is the bandwidth vs. Quality of bass and how well it integrates into a system is paramount. If I have to sacrifice a bit of extension and SPL to achieve this, so be it. The Set-Up I left my EP towards the left front corner behind my couch as it has been for the past 3 years. I placed one EP on top of it and the other EP diagonally located towards the back right of the room.

Luckily the distance between both EP s was relatively equal to the primary listening area making it much easier to integrate them and not have to worry about bass cancellations due to mismanaged time alignment between the two subs.

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May 26,  · I have an X32 console, 2 QSC KW’s at tops and two KW’s as bottoms (mono for the subs). Prior to getting the PA2, I let the X32 do everything. By that I mean I routed the LR outputs to three matrix channels. The first 2 matrix channels were the left top and right top and LINKed. The third channel was the sub.

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Thanks for being a fantastic company! I kept my analog board but have not taken it out of the case since purchasing the TouchMix over 9 months ago. There is a brief learning curve I practiced with it for a week in the basement before using it at a venue.

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A true Class B biasing system combines maximum thermal efficiency with excellent audio performance. The GX3 power amplifier is ideal for professional entertainers who require maximum performance and portability on a limited budget. QSC designers, headed by Pat Quilter, have optimized output and appearance while reducing raw material cost and weight. This power amp is ideal for speakers in the watt Program range, supplies maximum possible power to 4 ohm and 8 ohm loads, and features easy hookup and adjustments.

The GX3 uses premium toroidal power transformers for reliable “mid-weight” performance. A variable-speed fan moves air crosswise through the amplifier, drawing cool air in over the power transformer, through the fan, and then over the heat sink.

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